ARBA, DÂK ARBAArt Installation & chemigrams by Fanny Béguély
Sound installation & musical composition by Frédéric D. Oberland & Irena Z. Tomažin, 60' Mixed by Romain Poirier Produced by Le Fresnoy, Studio des Arts Contemporains, Tourcoing, France 2025: "Rire sur un Volcan" at Poush, curated by Clara Darrason, Andy Rankin, Mahsan Shams, Alice Loumeau & Valentin Bansac, Aubervilliers, France 2025: 68e Salon de Montrouge, curated by Frédéric Lorin, Montrouge, France 2019: Panorama 21 "Les revenants" at Le Fresnoy - Studio des Arts Contemporains, curated by Jean-Hubert Martin, Tourcoing, France Arba, Dâk Arba is a photographic and sound installation that echoes the ancestral divinatory arts and man’s propensity for self-examination, for attempting to probe the mysteries of the past, present and future and his persistent desire to decipher signs in nature.. Aware of an energy passing through the fibres of paper that drives gesture and guides the action of chemistry, Fanny Béguély has developed a sensory approach to the medium’s materiality and appearance. Through ritual and a chemical process, the photosensitive layer reacts through spasms, offering up its mysterious prophecy. To the sounds of Frédéric D. Oberland’s hurdy-gurdy and the voice of Irena Z. Tomažin, viewers survey the eight suspended paper bodies turning into those “consultants” of ancient times who, following on from Cumae in Italy, Delphi in Greece and Didyma in Turkey, question Sibyl and Pythia, reading our destines in animal entrails or the flight of birds. By using the medium of photography as both a technical and psychic tool with the aim of transcending the limits of human perception, the artist confronts us with the irrationality and beliefs that shape our relationship to the world and our relationship to images. Arba, Dâk Arba acts as a metaphor for the universe and reminds us that if reality is visionary, vision is always an affect. 
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'ARBA, DÂK ARBA' soundtrack by Frédéric D. Oberland & Irena Z. Tomazin out now via Hallow Ground, 2020
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